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Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called synaesthesia.
Hotel Mumbai is one of the most promising films on the Australian slate, as a well crafted commercial film with heart and ideas. The annual Alliance Francaise fest is up and running.
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
Backed by the might of the Canadian National Film Board's commitment to digital experiments, First Nations filmmaker Lisa Jackson tests the medium through her culture.
While Captain Marvel storms in, a bunch of interesting smaller pictures are hanging on. Is this both ends against a dreary middle?
This week our links find the fight between Spielberg and Netflix, the death of Les Carlyon and the best video essays of 2018 in one handy British place.
SPA is tangling with the SBS MD at breakfast, the Tasmanians get cosy with Pauline while the editors in Victoria throw a party.
Einstein said that 'creativity is intelligence having fun'. Can we do that too?
Kicking modern Australian film into gear - with Clive James, Germaine Greer, Bob Ellis and Sydney Uni drama societies.
The collision between a true story and a structured script ahows us how stories shapes the world.
In his Stanley Hawes oration editor James Bradley is whimsical and pointed, with a wonderful story about his first experiences in film.
History blooms into colour at SBS, Miss Fisher goes Mod on Seven and Canberra's politics gets thrilling in Foxtel's Secret City Season Two. Plus Kanopy, the free streaming service you access with a library card.
With Australian producers wary of a changing China market, the film market in Hong Kong is strengthening its role as gateway and annual touchpoint.
Cat meet pigeons; chickens find your roost. Huge group of indy documentary people and their colleagues proclaim the need for change.
A modest hit from Oscar curiosity prevents the week from being a litany of indifference.
In our link collection for the week we avoided the Oscars and found some fabulous articles about cinematography. And the Oscars.
Events - SPA, AWG, Editors Guild, Screenworks, Wide Angle, Directors Guild, Production Designers...
Oscar afficionado Grace Boschetti faces the reality of the Oscars - flawed, doomed, trite, fascinating and horridly predictable all at the same time.
The Oscars 2019 are all over, but we put ourselves on the line as the obsession climaxed. How well did we do?
A new one-off party event in April solves the problem of not having another festival to premiere latest investment fund features.
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