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Some of the best film projects around the world led by people with learning disability are running at the online and real SDSW Film Festival, curated from South Australia.
The Entertainment space at the ABC is probably the most intense ideas machine in Australian TV. The ringmaster, Nick Hayden, gives a great interview.
The Commercial Photography Industry has petitioned the VIC Government under the placard ‘We are tradies too’, in a desperate plea to return to work.
Seth Larney's time travel drama was opening night film at Adelaide Film Festival. Critic Adrian Martin ponders its place within the genre, and its attempts to have it both ways regarding the human perspective.
Has the sector misjudged the budget impact? No, according to an objective account from Kristen Stevens.
Opinions & Analysis
At Games Connect Asia Pacific Conference, composer Meena Shamaly detailed his collaborative process of composing a score alongside First Nations musicians.
Every Cloud turned Miss Fisher into a franchise through curiosity, and have been rewarded with a cultural phenomenon. Producer Fiona Eagger talks about the Chinese version.
Our fortnightly mash-up of production news, policy analysis, festivals and reviews. Also some excitement about Chris Hemsworth and George Miller making a Mad Max prequel.
Is the Australian Centre of the Moving Image a place? A Zone? A Cultural Accumulation Machine to defy COVID-19? First hints are released in a digital launch of the online component.
The children's television sector looks like the biggest loser out of the current rebuild of the sector, and producers are pushing back against the government.
We are in strange, strange territory in the international box office, while local crowd pleasers can't bring customers out of doors.
Following on from the documentary 'The Show Must Go On' comes Screen Well, a series of webinars tailored for crews, creators, performers and heads of department in film and TV.
Brisbane-based animation company Like a Photon delivers another crowd-pleaser, with Deborah Mailman’s lead voice a real highlight, says Diversity in Australian Media reviewer Naavikaran.
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique responsibility to telling the hard truths with stories that require reflection and depth.
For the first time, Melbourne International Games Week has run completely online, and ACMI have stepped up to the plate with a downloadable showcase of personal games.
Lovingly capturing its West Australian locations, this Tim Winton adaptation would have worked better with local lead actors, argues Sarah Ward.
The writer, director and ADG President reflects on the stories we're going to need and the challenges facing the industry.
The Australian Game Developer Awards ceremony streamed live on Twitch in 2020, hosted by Jordan Raskopoulos. Here is the full list of nominees and winners.
Darcy Yuille has worked on crews and taught camera techniques for twenty years. Here he builds an aesthetic and development process based on smartphones.
The Secret Garden looks like a gentle fantasy world for kids and adults alike as everything else melts before our very eyes. Total box office for the weekend was around $5m compared to $20m for the same time last year.
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