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Pull down the blinds, turn off the phone and prepare for a holiday binge. Here are some suggestions from Stan, Netflix, iView and more.
Respectable Auntie, straightforward John Edwards, the handy fists of Les Norton - the ABC takes a punt it won't be wowsered in 2019
Understand the DNA of the story, know your audience and charm the author. Those were the key messages from this Screen Forever panel.
The musicals are doing ace but the steampunk exploded and the petite boutiques are feeling some strain.
Grand plans and lots of spanners - with the survivors stuck with fixing the mess once the knowledge has gone.
The government seems to offer more money to the sector. Look again, suckers.
War and zombies combine in this gory yet grounded horror effort from Australian director Julius Avery.
Mark Gatiss deserves all the praise for his role as King George III.
A Christmas set zombie-musical-comedy with joy and bite.
New residencies, new developments, new program announcements and other arts news you may have missed.
Netflix has given new life to Orson Welles's unfinished film and Adrian Martin finds it fascinating.
Relentlessly entertaining and packed with jokes, this plays to animation's strengths while retaining Spidey's iconic teen angst.
The venerable drama course at Flinders University is being restructured to remove its research side to practical courses. Educators are not amused.
Tumbleweed time in the multiplexes as the audiences prefer to trash studios by declining to attend. There is always a slump at this time of the year.
The Australian Film Institute held its first awards night sixty years ago. This year we have reached a remarkable political crescendo.
A film celebrating a fabulous ball and some people who've changed the world.
NZ On Film does Geoff Murphy proud. Really worth watching.
Mairi Cameron's psychological thriller The Second was released to little attention. Adrian Martin finds much more to like.
The writer and show runner of Doc Martin, Robin Hood and Knightfall gave candid insights into his process and motivation at Screen Forever.
Provocateur Gaspar Noe pushes a lot of debaucherous buttons with his latest film, but misses the G spot.
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