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Showing all Policy news
Minister Paul Fletcher keeps the mystery about the government's decisions on regulation, but sets out to prove he understands what the sector is about at SF 2019.
Deaner focused on moving the lobbying into new territory, to talk the talk of opportunistic globalism. It works.
Screenhub is on a mission at Screen Forever. What do we want to know about, from our unique industry perspective?
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne in November.
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.
Which production companies scored the most nominations across the board in this year's competition. Think bragging rights.
The international streamers would not be pleased with a quota to operate here - but they have already surrendered in Europe.
Q: What makes a great cause-related documentary? A: a great documentary made by amazingly driven people, as demonstrated by the Documentary Australia Foundation and Film Victoria.
What does a working relationship with filmmakers from the Asia Pacific offer Australian filmmakers? APSA aims to open up the possibilities.
The Screen Forever program this year offers the drama of trying to be in two places at once in a packed program.
Is the appointment of Kylie Munnich a declaration of direction for Screen Queensland? She is certainly providing an opportunity to go hunting internationally.
Asian countries are vigilant about music royalties but the screen sector is ignored. That may soon change,
The guild campaigns for the industry come down to a few professionals. The Australian Directors Guild will now reflect the skills and personality of its new executive director. UPDATED after interview.
All the major streaming providers are playing electronic chess to capture your gaze. Here is a glimpse of the ABC's game.
Opinions & Analysis
Discussion about the proposed changes to Screen Australia guidelines unleashes deeper passions.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Appealing to Australian values works for Ride Like a Girl, but the whole idea is a quiet cinematic battleground. The Conversation offers some thoughts on the legendary Hoges.
Seph McKenna was a key executive at Roadshow Films when it distributed a truly Australian breakout. He says these films tell us a lot about what we really want to see.
While the UK tears itself to pieces, the BBC argues for a role which illuminates our own Australian dilemmas.
On our radar this week: a feelgood doco, new format web series, quality chitchat podcasts and a really hard game.
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