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Showing all Policy news
Globally focused director Cate Shortland takes serious issue with our favourite fuzzy idea.
A new pilot program aims to help women in the screen industry whose careers have been impacted by parenting and caring responsibilities.
With a side order of Screen Australia Chair discomfort, we look at an ABC board which is less than meets the eye.
In a classic ironic twist, Justin Milne resigns from the Chair of the ABC after leading the Board to oust Michelle Guthrie.
The sudden removal of Michelle Guthrie from the ABC is dominating the news today. Let's look at some of the key issues behind it.
Golng and coming, Amanda Duthie continues to shape Adelaide film production and culture.
Overseas companies which own chunks of Australian production and media are embroiled in their own ownership struggles.
Chapter heads are a vital part of the ADG infrastructure. Here's two new volunteers with the headspace to make a difference.
To the surprise of the sector, Screenwest is now short of a CEO. Exiting CEO, McKenna, was recruited after an extensive search to lead the organisation into a new structure.
Screen Australia's latest Gender Matters KPIs show some progress, but plenty of room for improvement. Nobody's denying that.
All the AWGIES did was compare projects in categories. But the message of a different Australia came through loud and clear.
It's rare to celebrate a policy or a department, but in the case of Screen Australia's Indigenous Department, everyone wants to clap for this good news story. It shows what happens when good policy meets extraordinary talent.
An icon of the industry, completion guarantor Jenny Woods has made a bid for freedom and life on her own terms. With added cats.
Replying to producers' letter, Screen Australia defends funding BBC Studios. Is this as odd as it seems?
The Screen Producers Australia Awards focus on the most mysterious category of all - the behaviour of producers. What does the feature list tell us?
Asian screen lobby group reveals the nuts and bolts of the evolving market, particularly in South East Asia.
Three key organisations in the screen and theatre sectors unite to lay out the rules for a safe workplace, and confront hostile public opinion.
Streaming services are happy disruptors, but they could warp the system in more profound ways than we think.
MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest and the arrival of the Koreans.
The commercial networks have a once in a lifetime chance to exit kids' TV. They are good at ideas under pressure.
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