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Showing all Television news
Series Mania, running in Lille at the end of March, lines Australian series up against the world.
Expanding a UK business model, Krempelwood bids to back broadcasters in Australia by funding shows with media buyer money.
Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.
While we watch the culture warriors attack the ABC, the divisions in Britain are creating a toxic environment even at the audience level.
Author Melissa Lucashenko talks to ArtsHub about bringing her award-winning novel to the screen.
Seeing reality cross over with sci fi in Stan's 'The Commons' was disturbing but not depressing for this apocalypse-shy viewer.
Channel Manager Tanya Orman invites all Australians to enjoy the Indigenous broadcaster's distinctive programming on this fraught national day.
Is it still possible to make breakthrough television in Australia? The 2020 new Australian shows on mainstream media can be classy, but we are short on visceral daring.
Set in the Gothic heartland of Tasmania, this murder mystery is yet to deliver on its supernatural teaser, says Mel Campbell.
Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.
Here's what the Screenhub critics liked best this year. Catch up during the long summer binge.
Easy charm and subtle moments work better than broad comedy in this Stan Originals series.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
From Dr Who to The Commons, Money Heist, the Riot Act podcast and more, here are the team's picks.
The Oscars runups continue with the Golden Globes, giving Blanchett and Kidman a familiar nudge.
eOne has a lot to say about the screen industry's key problem - how to do niche, nuanced, excellent and modestly budgeted?
First winners announced. More to come on Wednesday night with the televised ceremony.
Upright is such a developed and fully-formed work, writes Chris Boyd, it’s hard to believe it’s not an adaptation of a grand work.
Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.
Witty, thoughtful, totally self-confident, a champion both of popular culture and serious criticism, a citizen of the world and a walking bag of us, Clive James has finally gone silent.
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