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Showing all news in Opinions & Analysis
Counting men and women in recent Directors' Guild nomination list is a pretty crude way of making a point - but Lisa French reveals it is also instructive.
Opinions & Analysis
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
Screen Australia opens up another front in its campaign to change the makeup of the creative sector.
An exhibition of digital art prompts an environmental scientist to question the changing meaning of artistic creation.
Literature and film have shifted from demonising transgender people to attempts to understand them and represent them positively.
Pioneering change maker Screen NSW has been dissolved into Create NSW to be and subsumed under the new minister. Is this the end of hope?
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
The superficial scramble for cultural diversity is not addressing the deep causes of exclusion and the power imbalance in the arts.
The ABC's decision to ‘de-commission’ music, features & creative content on Radio National has far-reaching implications for Australian culture.
Men's Rights activists claim feminists have too much power. Censoring them feeds into the anger and hate.
Self-made YouTube vlogs are creating a revolution in the control and distribution of entertainment.
'Massive, unjustified, poorly researched and based on a remote and disconnected economic ideology of unusually destructive force.' That's what the Copyright Agency thinks of the Productivity Commission's draft copyright proposals.
Have you ever noticed that many TV shows blur or avoid showing art? Here's why it happens and why it's a problem.
Airtasker, an online short term jobs market, went looking for capital, and is now 15% owned by Seven West Media. What does that mean for hungry freelancers?
A new survey shows that only five per cent of artist publishing their work online receive copyright royalties.
The Productivity Commission's proposed changes to book licensing would mean less money for writers, composers and fillmakers but not lawyers.
Asking for copyright for photographs you paid for sounds like a savvy move but it may not provide value for money.
Screen Australia’s annual drama expenditure analysis suggests that budgets are well below average, just as audiences embrace content.
Will the intellectual property agreement just exposed by Wikileaks really make any difference to Australian producers or digital creatives?
The basic problem with the current 20th century arts funding model is that it remains producer- or artist-centric, rather than focusing on audiences and citizens. This makes it ripe for capture and lobbying.
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