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Showing all news in Opinions & Analysis
There are good reasons why Little Women is a remarkable film, which are surely worth honouring.
Opinions & Analysis
Lynette Wallworth delivers a pungent speech confronting the Davos World Economic Forum with our experience of a land on fire.
A group of writers calling themselves Writing for the Environment – organised by Alys Jackson, Leah Kaminsky and Gretchen Miller – have penned an open letter to the media demanding they cease supporting climate denialism.
Smart policy, cultural pride and an Asian language puts Korean cinema at the heart of change. Here's an excellent potted history.
New inventions in branding. Large format cameras. Editing Star Wars. Festival films. Chinese crackdown on indy visions. All juicy stories from the net.
With the release of new guidelines for ethics for artists at the Queensland Art Gallery and Gallery of Modern Art, Richard Moore believes this has the potential to censor artists, as much as their art.
Our critic abroad reflects on the films that linger in memory from 2019.
Confused by global changes this year? We're here to help.
The successes and failures of determined arthouse cinemas proves that box office is a fickle beast, and justice is not in the numbers.
The arts and screen sectors survive the last potential attacks for the year, but there is more to come.
Buried in a surprise report, the government refuses to offer any more money to the ABC and SBS. And the sector is still under deregulation threat.
Artists across Australia are speaking up to defend our sector disappearing in the latest public service shake-up.
The resurrection of dead performers to work again may be futuristic, but it still suffers from the age old problem of gender discrimination.
The Arts and Communications Squidge-up announced yesterday has caused consternation. Some possibilities are being discussed.
Intensely violent games = mayhem in the real world. Debunking an argument that will not go away.
Andrew Wiseman, now at Film Victoria, explores the unique mindset behind documentary truth in a lovely speech.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
Global academics and advocates have responded to persistent gender bias in recent funding announcements with dismay. A collective letter with more than 200 signatures captures their frustrations.
The initial information about the new Self-Regulatory Code for the Subscription Video on Demand Industry in ASEAN did not have the actual wording. Here are the relevant passages.
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