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Shaun the Sheep Movie

It takes a certain set of skills to tell a story solely through action, but that's a feat this engaging all-ages affair achieves.
Shaun the Sheep Movie

It is with the grace and humour of the silent greats of years gone by that Shaun the Sheep, the stop-motion animation television series that started airing in 2007, makes its leap to the big screen. That might seem like a heavy burden for a property that started as a spin-off to Wallace & Gromit, not to mention for material considered more aligned with children than adults, but it is one the movie shoulders without any sense of strain.

Indeed, channelling the likes of Jacques Tati into an cheerful comedic onslaught, Shaun the Sheep Movie makes expanding its seven-minute long, chatter-free episodes to feature-film length look quite easy. Think slapstick, sight gags, puns, and in-jokes galore, whether playing with its farmyard basis or parodying the big smoke jaunt that follows. Think witty throwaway references to other features, an eye for satire, and more detail than most all-ages animated fare would even contemplate, let alone manage to mould out of clay. 

Shaun (voiced by Justin Fletcher) and his flock of fellow sheep have led a happy life at Mossy Bottom with the farmer (John Sparkes); however even the most content of livestock dream of having a break from the daily grind. An ingenious plan later, and the woolly animals have engineered a day off, complete with their own way of celebrating. As luck wouldn't have it, their efforts to distract the farmer see him stranded in the city, sans memory, and taking on a new life as a hairdresser. Only Shaun, sheepdog Bitzer (also played by John Sparkes) and the gang can round up their human friend – if they can escape the villainous animal catcher (Omid Djalili) intent on putting them behind pound bars, that is.

It takes a certain set of skills to tell a story solely through action, and to engage viewers in a narrative unspooled with visuals rather than dialogue, with writer/directors Mark Burton and Richard Starzak giving these typically rarely-needed talents a thorough workout. The former's experience on Chicken Run and Wallace & Gromit: The Curse of the Were-Rabbit clearly assists, though each makes their filmmaking debut. They do benefit from the charming existing series as a starting point, of course, but their vision of Shaun the Sheep Movie is a joyous creation that understands how to relate its longer tale.

A number of skit-like scenes stand out in the feature that results, including seeing the flock donning clothing and causing mayhem in a restaurant, and masterminding a jailbreak. The film is more than just a collection of anarchic sequences, though, gelling together over its 85 minutes as an entertaining whole. As set to the sounds of mutterings and grunts as well as a soundtrack of upbeat tunes, the flow of the narrative bobs and weaves through ample antics and more meditative moments. The visuals always steal the show, courtesy of a heightened everyday world and Aardman Animations' wealth of experience. Who needs words when expressions, gestures and delightfully intricate backgrounds can be so comically compelling? 

Shaun the Sheep Movie not only demonstrates the affection and flair that can stem from hailing back to the earliest days of cinema, but another significant feat – that there's plenty of life left in the family film genre for audiences young and old. Traversing the same path as the similarly endearing Paddington late last year, it proves that broad appeal doesn't have to equal over the top scenarios, celebrity voicework and dated pop culture tie-ins. Sometimes, the simplest things are the sweetest, such as a sheep just trying to reunite with his owner.

Rating: 4 stars out of 5

 

Shaun the Sheep Movie

Directors: Mark Burton and Richard Starzak

UK / France, 2015, 85 mins

 

Release date: March 26

Distributor: StudioCanal

Rated: G

Sarah Ward

Wednesday 25 March, 2015

About the author

Sarah Ward is a freelance film critic, arts and culture writer, and film festival organiser. She is the Australia-based critic for Screen International, a film reviewer and writer for ArtsHub, the weekend editor and a senior writer for Concrete Playground, a writer for the Goethe-Institut Australien’s Kino in Oz, and a contributor to SBS, SBS Movies and Flicks Australia. Her work has been published by the Australian Centre for the Moving Image, Junkee, FilmInk, Birth.Movies.Death, Lumina, Senses of Cinema, Broadsheet, Televised Revolution, Metro Magazine, Screen Education and the World Film Locations book series. She is also the editor of Trespass Magazine, a film and TV critic for ABC radio Brisbane, Gold Coast and Sunshine Coast, and has worked with the Brisbane International Film Festival, Queensland Film Festival, Sydney Underground Film Festival and Melbourne International Film Festival. Follow her on Twitter: @swardplay