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Review: The Beehive, at UNSW Galleries

The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that…

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2019 Conference and Symposium Planner

Whether you're looking for professional development, tapping sector trends or seeking to rub shoulders with cultural entrepreneurs, ArtsHub's 2019 Conference…

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To those we lost in 2018, vale

We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2018.

Opinions & Analysis

10 buzzwords that dominated the arts in 2018

Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our…

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Film Review: Aquaman

This year's Boxing Day superhero flick is a splashy romp shot on the Gold Coast and directed by James Wan.

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Adrian Martin's Best of 2018

You won't find the the usual titles in this eccentric and eclectic list of hits and misses from a film…

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Big screen highlights: aircon, choc-tops and delicious films

Want to writhe with joy like a cat in the dark? Here's our list of enticing films which howl to…

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No longer Deluxe, Alaric McAusland opts for Grace

Alaric McAusland reveals a surprising jump sideways into Josh Wakely's Grace, which he claims is a solid move into the…

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Screaming Night - an instructive tale about Chinese audiences

While the cinema exhibition sector takes a dive, China's SVOD iQiyi is building a monster company with very different ideas…

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Brief: The script to Roma

The script to Roma was a huge mystery. Now it is solved.

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