The Weekly with Charlie Pickering: bring on the AI chatbots

Is The Weekly a show made by and for people who don’t really care about or follow the news? It seems that way.

With the demise of Shaun Micallef’s Mad as Hell, The Weekly with Charlie Pickering became the ABC’s longest running news-based comedy. With the demise of Sammy J’s sketches at 6.55pm on Thursdays, The Weekly with Charlie Pickering became the ABC’s only regular news-based comedy. Now that it stands alone, is The Weekly with Charlie Pickering up to the task? That depends on what you think it’s on air to do.

Since its debut in 2015, The Weekly with Charlie Pickering has slowly but steadily shed on-air talent. Initially featuring Tom Gleeson and Kitty Flanagan as regulars, with rapper and comedy writer Briggs often making an appearance in promotional materials (less often on the show itself) and Judith Lucy and Luke McGregor as regulars in later series, these days it’s largely just Pickering behind a desk.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Anthony Morris is a freelance film and television writer. He’s been a regular contributor to The Big Issue, Empire Magazine, Junkee, Broadsheet, The Wheeler Centre and Forte Magazine, where he’s currently the film editor. Other publications he’s contributed to include Vice, The Vine, Kill Your Darlings (where he was their online film columnist), The Lifted Brow, Urban Walkabout and Spook Magazine. He’s the co-author of hit romantic comedy novel The Hot Guy, and he’s also written some short stories he’d rather you didn’t mention. You can follow him on Twitter @morrbeat and read some of his reviews on the blog It’s Better in the Dark.