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What's it like to write Clickbait? Christian White knows
The bestselling writer says anxiety about showing his work to the world never stops, but the thrill of writing drives…
AWGIES night belongs to Kodie Bedford
After an imaginative Pilbara childhood, honed by scriptwriting, Kodie Bedford scores the Big Gold Stick for her first major theatre…
Teaching in isolation is intense: Four perspectives
A VFX animation teacher, primary school teacher and two academics talk about their experience and give tips for survival.
Getty gets real with useful guidebook for LGBTIQ+ storytelling
The world-leading stock photo and footage supplier has partnered with advocacy group GLAAD to challenge clichéd visual stereotypes
Fireflies Press is a labour of love and cinephilia
Annabel Brady Brown talks about the birth of a new venture that brings together a global community of film lovers…
How to build the perfect format show: from Naked Attraction to Gogglebox
Gogglebox? Dragon's Den? Naked Attraction? What kind of loon thinks of these things? His name is Tim Harcourt and he…
Facebook ban to lift but can we trust them again?
The Facebook news ban is being lifted but what did the shutdown mean for small arts organisations and publishers who…
Visions 2020 full program sets sights on the future of the arts
Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new…
What We're Watching: November
From Fargo to The Crown, The Queen's Gambit, an accessible Irish Film Festival and the puzzling new game Baba is…
Glendyn Ivin's Hotel Quarantine: a strange sense of freedom
We asked the prolific Australian director and photographer about his two weeks alone in a room with a camera, his…
