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The emotional cost of release day
In this excerpt from her longer article, studio and creative director Lucy Morris details the emotional cost of launching Starcolt's…
Think tank: can virtual production transform screen budgets?
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider…
How to have a screen career – ten tips that really matter
Ten ways to be part of the future. Because the COVID hiatus will be history.
How art can impact climate change
Arts and science can make strange bedfellows but they could be the perfect combination to spread the message of a…
'Neon Cyborg Cat Club' generates unique soundtracks for the apocalypse
Created with the support of the City of Melbourne’s COVID-19 Arts Grants, ‘Neon Cyborg Cat Club’ is not a game…
Two short films and their journeys into space and light
The dance of new passions that emerge from short films in a festival is a promise to the future. Here…
What We're Watching: Not-so-happy families edition
From crime families to chosen family, to recommendations from far away siblings, this month’s screen picks are shaped by the…
Social games to play while you wait for multiplayer 'Untitled Goose Game'
Here are some fun and silly Australian multiplayer games to tide you over until Untitled Goose Game's multiplayer update on…
Media diversity: the awful truth about our newsrooms
New research shines the cold light of reality on who gets to tell us what's important in TV news and…
Between hope and threat, children's television takes advantage of sales
As ACTF head Jenny Buckland emphasises, the sector is adaptable, is attracting new creators and sells well. It has everything…
