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Screen Forever 2013: format wars, and the real truth of transnational expansion
Screen Forever, the 2013 edition of the rebadged SPAA Conference, organised by SPA, or Screen Producers Australia, formerly SPAA, the…
Screen Forever 2013: Google's Approach to Watching Content Owners' Backs
The world of content and culture is moving online. And search giant Google is in the driver's seat to know…
Screen Forever 2013: Finding Out How to Get to Sesame Street
On a sunny day in Melbourne, where the clouds had clearly been swept away, Kim Wright, Film Producer with the…
Screen Forever 2013: Merchant Ivory - do you mind if I borrow your phone?
Merchant Ivory may sound utterly respectable, but it was a prime exponent of the chancers' art of conjuring a film…
Screen Forever 2013: Co-Financing with the USA
A session at Screen Forever looked at some of the ins and outs of financing a feature film with some…
Screen Forever 2013: the future of television
Israeli format guru Avi Armoza had the floor to himself, and was able to provide a unique perspective on television…
Don Jon
Joseph Gordon-Levitt directs and stars in this film about the difference between sexual fantasy and reality.
Moebius
Filmmaker Kim Ki-duk's is not shy or subtle in this revenge gone wrong flick, evoking laughter, horror and discomfort.
The Hunger Games: Catching Fire
In the highly anticipated second film in the popular trilogy all the world is a stage, and its characters merely…
Blue Is the Warmest Colour (La vie d'Adèle)
Reluctant and wracked with uncertainty, Blue Is the Warmest Colour (La vie d'Adèle) first appears to be holding everything back.
