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Showing all news in Reviews
The new Australian Netflix series is committed to the pursuit of visual pleasure. Mel Campbell surrenders to its siren song.
The Babadook director returns with a different kind of horror: a furious, gruelling and essential film that gives voice to female suffering.
This ravishing but over-long production, directed by Simon Godwin, enthralls.
Making a rare on-screen appearance, Clint Eastwood directs and stars in this wistful tale of an elderly drug courier.
Following five Labrador puppies in training to become guide dogs, this straightforward documentary is both charming and standard.
This 2018 Sundance documentary winner proves a perceptive and deeply felt tale of skateboarding, friendship and masculinity.
Solid family entertainment, this remake of a classic works best when it sticks to the original story.
A traditional and essentially conservative biopic that your mum might like if The Favourite is too weird.
M. Night Shyamalan concludes his Eastrail 177 Trilogy with a film that never feels like the sum of its parts.
The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that scratches the raw sore of gentrification, corruption and violence in our society.
This year's Boxing Day superhero flick is a splashy romp shot on the Gold Coast and directed by James Wan.
The sixth film in the Transformers franchise successfully swaps smash-and-crash action for a small-scale story with heart.
War and zombies combine in this gory yet grounded horror effort from Australian director Julius Avery.
Mark Gatiss deserves all the praise for his role as King George III.
A Christmas set zombie-musical-comedy with joy and bite.
Netflix has given new life to Orson Welles's unfinished film and Adrian Martin finds it fascinating.
Relentlessly entertaining and packed with jokes, this plays to animation's strengths while retaining Spidey's iconic teen angst.
A film celebrating a fabulous ball and some people who've changed the world.
Mairi Cameron's psychological thriller The Second was released to little attention. Adrian Martin finds much more to like.
Provocateur Gaspar Noe pushes a lot of debaucherous buttons with his latest film, but misses the G spot.
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