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Showing all news in Reviews
The battle between creativity and commerce drives this accessible state-of-play examination of the contemporary art world.
Emily Dickinson revisioned in lesbian comedy by Madeleine Olnek.
Powerful and believable, Foxtel's Australian spy thriller is even stronger in its second season, writes Chris Boyd in this spoiler-free Five Star review.
Melbourne Queer Film Festival introduces us to the extraordinary Silvana Imam.
Natalie Portman sings Sia's songs in this boldly stylised and intellectually ambitious film about pop music.
In the age of Netflix bloat, Neil Jordan's latest is a refreshing breath of fresh air, with just enough surprise mixed with cliche.
A flagship series for Stan in the feverish battle for local market share, Bloom is a sophisticated and superbly acted supernatural mystery.
Decay, rebirth or both? Alita has a healthy audience, a certain youthful innocence and the contradictory energy of James Cameron and Robert Rodriguez.
This Netflix feature shot on iPhone and set in the world of American basketball may baffle or intrigue.
The line between Prince Charming and Bluebeard has long been blurred, says Adrian Martin of this enjoyably creepy Netflix series.
Swooningly romantic in a way few films dare to be these days, this one soars high and dives deep.
Melbourne Women in Film Festival presents Angie Black's strong feature.
Chris Boyd reviews the four-part thriller currently screening on the ABC and finds it thoroughly engrossing.
Two shorts from the Melbourne Women in Film Festival, which is running from 21-24 February 2019.
English language Western opens the Alliance Francaise French Film Festival 2019.
At Eternity’s Gate is the latest film about Vincent van Gogh, arguably the western world’s most beloved artist.
Adrian Martin is charmed by the genial Aussie hitman at the centre of Foxtel's international hit series.
A violent thrill ride through Sydney's western burbs, with just enough realism to make the carnage plausible.
Peter Hedges' nuanced drama about a family grappling with drug addiction starts strong but wobbles off the wagon.
The British Netflix series marks the surprising and endearing return of teen fiction into mainstream entertainment, and Adrian Martin is loving it.
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