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The My Cinema My Film Festival is a heart starter for ailing indy cinemas, with hopeful signs for post-Covid changes.
This clever coven of Australian filmmakers knows spooky, scary and stylish when they see it. Briony Kidd, Isabel Peppard, Donna McRae, Katrina Irawati Graham and Megan Riakos send us their recommendations.
Our fortnightly roundup of news, views and chats with fascinating people. Some very interesting deals being done. Cinemas are suffering, box office is down but we still found stacks of films to review.
The cinema sector is lining up to pressure the Victorian Government to let them open up, since they are at the very end of the recovery list.
Twenty-two projects, a million dollars and a surge of ghost stories will keep the development wheels churning to build the national slate for 2021.
Statistics bear out the value of sentiment as the emotive power of diversity for the sector turns out to match the preferences of audiences.
With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the director of a new documentary celebrating her life.
Comedy Baby Done would do ace business in a normal year, but is beaten handily by a grim Polish film about a fake priest which fanatics claim is blasphemous.
Beneath a decorously savage surface, the ABC has relentlessly turned vague cliches into solid restructures. What does this look like to a patient veteran?
A lively group of jurors reached into the heart of Australian creativity and out to an arthouse stunner from Georgia to find their winners for 2020.
Announced in a virtual ceremony, the director's awards celebrated achievements of diverse newcomers and established talent in a year of much change.
Pain all round the exhibition sector from the high towers of Hollywood to picture houses showing Slim and I.
Some of the best film projects around the world led by people with learning disability are running at the online and real SDSW Film Festival, curated from South Australia.
The Entertainment space at the ABC is probably the most intense ideas machine in Australian TV. The ringmaster, Nick Hayden, gives a great interview.
The Commercial Photography Industry has petitioned the VIC Government under the placard ‘We are tradies too’, in a desperate plea to return to work.
Every Cloud turned Miss Fisher into a franchise through curiosity, and have been rewarded with a cultural phenomenon. Producer Fiona Eagger talks about the Chinese version.
Our fortnightly mash-up of production news, policy analysis, festivals and reviews. Also some excitement about Chris Hemsworth and George Miller making a Mad Max prequel.
The children's television sector looks like the biggest loser out of the current rebuild of the sector, and producers are pushing back against the government.
We are in strange, strange territory in the international box office, while local crowd pleasers can't bring customers out of doors.
Following on from the documentary 'The Show Must Go On' comes Screen Well, a series of webinars tailored for crews, creators, performers and heads of department in film and TV.
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