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Showing all news in Latest News
The government's plan to compel major online companies to pay the media barons has caused international ructions. But it could be made to work says Tama Leaver in The Conversation.
After four years of taking risks and trusting her instincts backed by passionate documentary makers and a determined staff, Alice Burgin will leave the AIDC.
Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020 conference.
The AIDC's main pitching competition showcases Asian and South American projects which shift the North-South dialogue in global documentary.
There's an intriguing lineup for the year, which could be given a fine chance to shine if the tentpoles continue to be restricted by the pandemic.
The idea that popular TV is 'bad TV' may be more overt in the UK, but it runs deep even in the Australian screen sector.
The drily titled The Dry is doing remarkable business which could well be leg one of a trifecta.
The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing fears and why she wishes LESS music was used in film and TV.
'The ability to focus, without interruption and just inhabit a beautiful space where you're working extremely fast with clarity.' Nerida Tyson-Chew reflects on life as a screen composer.
From The Invisible Man to Measure for Measure, Anthony Ginnane does his annual scorecard of Australian film's global theatrical performance. And COVID-19 turned out to be a real bonus.
Screen Forever moves online, ACMI's set to reopen, and classy Australian films screen at cinemas. Here's what you need to know this fortnight.
Heading towards $7 million, The Dry will be making the core team of Harry Cripps, Robert Connolly, Steve Hutensky, Jodi Matterson and Bruna Papandrea very happy. And ageless leading man Eric Bana.
This week's box office report is predictably topped by seasonal fun and family favourites, as a difficult year draws to a close.
Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in living memory. Here are some of the stories we enjoyed writing in dark times.
Without entering a cinema since February, the film critic's viewing ranged globally, with favourites including sublime Australian shorts, old television comedy and new films from Steve McQueen, Pablo Larraín and Kosovo's Antoneta Kastrati.
The changes include raising production funding to $300k per project, and waiving applications fees until July 2021.
Suzie Miller knows the turning points in her life, but carries her parents within her through a fine career.
These were the shows that delivered us from lockdown, with a focus on Australian content but not exclusively. From Mystery Road to Stateless, Aunty Donna, The Great and Bluey these rated highly with our critics.
From new films Lassie Come Home, Croods 2 and Soul, to classics like My Neighbour Totoro, the Artistic Director of the Children's International Film Festival, Thomas Caldwell, gives us his recommendations.
From 'shining a light' to 'unique', 'thrilling' and 'punching above their weight', we identify the worst PR offences, with top arts publicists chiming in with their own pet peeves.
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