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This year's APSA awards follow in the international accolades for the region's films pretty closely, even if they are a long way from mainstream.
Agents, showrunners, Australian diffidence, hammering on the Hollywood gates - here's how producers get a Californian tan.
SBS takes it out On the Ropes, Seven Plus offers catchup for the AACTA Awards, plus Cargo and a Radio National podcast devoted to all things screen.
Glendyn Ivin & Bruce Permazel have Best Direction awards so far, while Belinda Chayko and the team of David Tranter and Steven Macgregor have the Best Screenplay gongs.
Launching the silly season is The Grinch, proving we are all now desperate for a happy ending in a world of petty meanies.
What works in the US low budget market? Go for drama but don't give up on niche.
Television expert Gus Howard attended the sessions about Netflix like an ace detective. Here is his dossier.
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian films still hang on in the background.
Why are the best female characters bad girls and anti-heroes? Our report on the juiciest panel at Screen Forever.
Women are fighting behind bars in Wentworth, wrestling in GLOW and swiping right on Tinder in a YouTube comedy. We threw in a Coen Brothers western for testosterone.
As a veteran producer, Gus Howard brought a trained, practical eye to Screen Forever 2018. Here are his general observations.
Data and diversity are central to the modern AFTRS approach, a long way from its modest and intuitive origins 45 years ago.
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and money.
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it matter?
This year's awards honours a bunch of individualist that give us hope for the future, from a knitted toy to a wise and loving lawyer
The Butterfly Tree, Harrow, Mystery Road and Picnic at Hanging Rock provided award-winning opportunities for fine composers.
Collaborative art forms are all about finding the right people to work with, which is bad news if you're an introvert allergic to mingling.
Conversations about women and power in the screen industry continue to set the agenda, and there are impressive women supporting each other.
Backtrack Boys is hanging in while the multiplexes are dominated by two films.
Matthew Deaner, CEO of Screen Producers Australia, swims against the ideological tide.
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