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Showing all news in Features
Freed from the constraints of long form, creativity on the small screen is exploding with web series. Here's another excellent batch.
lldikó Enyedi, who won the top prize at the 2017 Sydney Film Festival, shared her creative process at a Screen Women master class.
Beneath the whimsy is forty years of smart business and a crusade to create the best stop motion in the world. With love and plasticine. And cheese.
Talent Camp requires a different approach to industry partnerships, and allows us to ask a basic question: why are we trying to engineer diversity?
We all want diverse stories to fit a diverse country. This is what we actually mean.
The master survey of the whole sector from the ABS is a fascinating mix of fortunes, which basically shows that the industry is hanging on despite difficult times.
Icon versus bureaucracy? The inevitable passage of time and tide? Paul Harris, Triple R and his loyal listeners face the end of an institution.
Richard Tognetti and Jennifer Peedom collaborate on unique concerts and a landmark documentary.
Warwick Thorton's We Don't Need a Map is really something - a major essay film that is funny and fresh and unpretentious.
In from day one, producer Melissa Kelly describes how Hounds of Love evolved and honoured its original vision. Will it stand the test of time?
The government's rhetoric is all about innovation, the future, and exports, so why aren't they supporting our acclaimed local industry?
Ruben Östlund, who won the Palm d'Or at Cannes this year, has a fascinating way of working with actors.
Senate Estimates misses good questions, diverts into minority party bizzaro, and pays homage to Antiques Roadshow.
From software IP to in-house creative development on international projects, Zareh Nalbandian inches forward like a steam engine in mud - patient but unstoppable.
Do you need to go to film school? Maybe not, but here's ten ways to turn your education into a creative screen career.
As Vimeo sends a curator to the St Kilda Film Festival, we track its recent surprising evolution into SVOD and original programming.
The frog has finally jumped out of the boiling pot and the growing crisis in kids' TV has gone public. The Greens are leading the charge.
An enquiry into content quotas, the end of the license fee, the abolition of the two out of three rule - it all adds up to the Saturday Shock as the budget looms.
Unable to create true reform from within, former Head of ABC TV calls for new government mechanisms to ensure ABC accountability to fundamental cultural policy.
The American Essentials festival doing the rounds through May is curated by Richard Sowada, as a challenge and a temptation to Australian filmmakers.
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