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OzAsia Festival announces new Artistic Director, new Chair for the MCA, and more.
Merrigong Theatre Company's Simon Hinton calls for moral leadership and structural change in the arts industry.
Opinions & Analysis
Skills are transferable, age is a factor and sometimes you just need to take a chance when it feels right.
Finding the right person for the job means changing up the recruitment process as video interviews and more applications become the new normal.
22 University Art Museums across Australia are pivoting online in different ways during COVID-19 closures. But is the surrogate experience enough, and what can other galleries learn from their experience?
Ten Days on the Island appoints Head of Marketing & Partnerships, Midsumma Festival recruits a Program Coordinator – Artistic Development, and more.
News on opportunities, watch to watch online this week, and all the positive news around the edges of COVID-19
A VFX animation teacher, primary school teacher and two academics talk about their experience and give tips for survival.
Veteran creative business consultant Monica Davidson talks about the practical management of ideas in a plague year.
Reflecting on personal experience, playwright Lachlan Philpott says that asking our friends if they’re ok in the current crisis is not enough: we must listen carefully to the response and act on it.
Students of NIDA’s Bachelor of Fine Arts Costume are busy creating garments that will transport audiences to a different place and time.
State Theatre Company South Australia appoints new Executive Director, Chair departs Canberra Contemporary Art Space board, and more.
Spectra lights up Hobart, ACMI project voted world's best, AI-style Eurovision team announced, Sydney Writers' Festival receives funding, plus more arts news.
Pooled funding and collaborative creative thinking resulted in Victoria’s Digital Creator Program, supporting a next gen of digital makers through expert-led YouTube workshops online.
With COVID-19 closures, visibility for arts organisations is more important than ever to maintain audiences, and grow new support.
With programs, performances and exhibitions all moving online, how do we filter what’s good and what’s not? And how has streaming changed art criticism?
The Blue Room Theatre announces a change of leadership.
After leaving her role as AD of Emerging Writers' Festival, Roberts-Orr reflects on her career highlights and the next challenge.
The industry responds, adapts, tries to brave and hopes the internet holds up.
The really big question about the AFTRS frenzy of online construction is whether it can go truly national, and its industry can accept online learning into its flinty heart.
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