An opportunity for a talented professional to lead the First Nations Department.
In the know? Seen a great show? Think you have a better idea?
Hit the contribute button now to share your story
Become a Student member
Become a screenhub member
Do you want to drive awareness of your event to an engaged audience?
Do you want access to a ticketing solution?
Now you can do both on screenhub.com.au
Showing all news
Run this year in the Famous Spiegeltent, Flickerfest puts a bunch of new short films before the public eye. They are always fine indicators of rising careers.
The James Bond franchise shows a sector in disarray, and its fabulous power to prevail.
Rich resources in Australian stories right now, as High Ground and Occupation: Rainfall arrive to join The Dry and Penguin Bloom.
The world's first robots, created by playwright Karl Čapek, appeared on a Prague stage in January 1921. This long read asks: why are we still in thrall to Čapek's once-original narrative?
The Australian International Documentary Conference is headlined by the idea 'Moment of Truth.' Here are some of our favourite truthful sessions.
COVID has barely touched the growing local game development industry, but IGEA's survey also reveals some stark truths about gender disparity.
In the search for filmmakers addicted to genre, the Australian screen sector has its fingers crossed for Occupation: Rainfall. We are about to find out if we get what we need.
AIDC CEO moving on after this year's conference; Big Ant Studios sold to French company; narrative designer callout, and Aussie films rules the box office in this edition of the news in brief.
An enthralling addition to a new canon of films about historical injustice to our First Peoples, writes Sarah Ward.
Occupation: Rainfall is a blockbuster on a scale rarely seen in local productions, but don't expect all the threads to be tied up by the end credits, writes Anthony Morris.
The arts did better this year with Australia Day Honours, pipping the number administered for service to sports. We take a look at the mix and what it means to valuing the arts, moving forward.
From new forms of media to honouring elders, this year's award list is muted but touched with joy and melancholy.
The Dry and Penguin Bloom have now turned into a Demon Duo, turning heads in the multiplex foyers to local stars and local stories.
Tracing a year on the frontline of Australian environmental activism, Sally Ingleton's documentary is most powerful in its portrait of youthful eco-warriors.
The government's plan to compel major online companies to pay the media barons has caused international ructions. But it could be made to work says Tama Leaver in The Conversation.
After four years of taking risks and trusting her instincts backed by passionate documentary makers and a determined staff, Alice Burgin will leave the AIDC.
Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020 conference.
'Love and Neon' is a dazzling retrospective of eleven films from the master of longing, loneliness and ephemeral ecstasy, says critic Adrian Martin, admitting initial resistance to Wong's charms.
Opinions & Analysis
What can videogames contribute to the climate conversation?
Documenting the rise of the legendary Polynesian record label in 90s' and 00's Aotearoa/NZ against a backdrop of racism, this is an important and entertaining film about culture and identity, says Sonja Hammer.
Advertise your event to a captive audience
Maximise the visibility and reach of your brand and events by advertising with ArtsHub. Spread the word to an engaged audience.
Become an Australian screen industry insider by joining screenhub - the one-stop-shop for the latest industry news, jobs, what’s on and much more.
Become a member this month and save 20% off your Annual ArtsHub Membership.
For less than $2.30 per week now is the best time to join Australia’s largest arts network.