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How to deal with times of intense change? Let Anna Karina show you the way to a life beyond language and moral certainty.
Care about docs? This is why you should.
Despite casting qualms, this version is both a beautiful Christmas bonbon and a witty warning against sentimentality.
Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.
Our critic abroad reflects on the films that linger in memory from 2019.
Opinions & Analysis
Confused by global changes this year? We're here to help.
Here's what the Screenhub critics liked best this year. Catch up during the long summer binge.
Let's look at the cruelly overlooked, the chronically successful, and the criminally overconfident releases that showed on our screens this weekend.
The successes and failures of determined arthouse cinemas proves that box office is a fickle beast, and justice is not in the numbers.
Easy charm and subtle moments work better than broad comedy in this Stan Originals series.
Two Australian films will premiere at this key festival: Miss Fisher and the Crypt of Tears and microbudget indie social drama Disclosure.
We pay tribute to just some of the screen workers whose lives embody part of our sector's long and winding history.
We look at some of the best games from Australia and New Zealand released in 2019 – there are plenty to choose from.
The arts and screen sectors survive the last potential attacks for the year, but there is more to come.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
Buried in a surprise report, the government refuses to offer any more money to the ABC and SBS. And the sector is still under deregulation threat.
Let's have a look at screenhub's biggest stories of 2019: from the timely, to the timeless.
From Star Wars to Will Smith as a Pigeon and an Aussie Go Kart film, we rate the family fare, date by date.
From Dr Who to The Commons, Money Heist, the Riot Act podcast and more, here are the team's picks.
Kim Dalton, chair of the Asian Animation Summit, is helping to build relationships with our neighbouring screen sectors.
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