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'Penguin Bloom' premiered at Toronto International Film Festival, delighting audiences and dividing critics.
Supported by the ABC and hosted by Skitbox’s Sarah Bishop and Greta Lee Jackson, the 2020 ADG Awards will be free and designed for home entertainment. Meanwhile the Guild's membership has soared.
First week out Slim and I gets 117 screens so it has definitely been on offer. But it could just be a sleeper with friends in the bush.
Three tough Australian feature films are making waves on the international arthouse circuit.
We're spending more time than ever in front of screens and devices, so how do you wind back and stop comparing you life to others on social media?
The drone is transforming our lives much more than any other moving picture recording device, with heaven and hell on the same mount.
Ross Emery is a tentpole cinematographer and international Australian. His latest work is Raised by Wolves, part of Ridley Scott's extraordinary world.
Avoiding politics and preceding the plague, this wacky reboot is nevertheless a film for this moment, argues Adrian Martin.
Laurence Billiet's tender insight into one of our most celebrated sports stars is joyous and timely, says First Nations critic Bryan Andy.
John Wood's autobiography is written with great warmth and passion, acknowledging the transitory essence of the theatre world.
Maintaining bubbles of safety is key to the fragile ecology. Meanwhile, proposed legislation battling online giants threatens press diversity and we're worried.
This year PAX's indie showcase of playable demos is all online, and just as exciting as ever.
Mat Kesting, the newish artistic director of the Adelaide Film Festival believes that 'cinemas progresses humanity, one film at a time'. He's giving it a red-hot go here.
Kriv Stenders' insightful and entertaining documentary places Joy McKean in her rightful place centre stage, says Anthony Morris.
David Hanna takes over from Ian Robertson to keep the Board meetings lively at Film Victoria.
A lot of Australian children have been touched by Judy Malmgren's vision of the world. She is gone too soon.
In search of fresh formats and open to the public the new award provides a mix of development funds and prize money.
In this excerpt from her longer article, studio and creative director Lucy Morris details the emotional cost of launching Starcolt's debut game, Best Friend Forever.
Pick one goal and focus on it, says Esther Coleman-Hawkins in our ongoing series of no nonsense career advice for screen professionals.
Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new stories.
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