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Showing all Film news
The executive behind Buffy The Vampire Slayer, Susan Cartsonis says giving women more film jobs makes financial sense.
We went back through the archives, here are our most read stories around empowering women in the arts and debunking gender disparity.
What do you get when you combine old-world glam with international adventure? A box office hit.
Our fortnightly roundup of news, plus stories you might have missed.
It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell.
Bringing Undertow to the cinemas is a ten year labour of love and patience. Producer Lyn Norfor takes us from development to the last financial obstacle.
Let's take a look at the films topping the box office this week, from stirring docos, to the usual dog and hedgehog show.
Women in Film and Television offers a three-month mentoring program for female identifying screen practitioners.
An interview with the actor who plays the closest thing we have to an Australian superhero.
The documentary filmmaker behind 'Gayby Baby' and 'In My Blood it Runs' explains a truly collaborative and consultative approach with big impacts in mind.
In this column, our office shares what they've been watching and listening to, from classics, to blockbusters, to off-the-wall favourites.
This week in the box office, an object lesson in the value of perseverance in the face of underwhelming beginnings.
First-time filmmaker Hamish Bennett has created a gently humorous story about finding strength in yourself through those around you.
Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.
Australian filmmakers have something for everyone, however swooning or cynical you might be feeling.
Hope and grief simmer at the centre of two extraordinary live works by Indonesian filmmakers premiering at Asia TOPA.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
A solution-focused festival is more necessary than ever, says Daniel Simons who talks us through this year's highlights.
Aotearoa/New Zealand and Pacific Islander filmmakers are brought into the fold in 2020, with highlights including Jane Campion's celebrated shorts.
A South Korean fable about capitalism made history in a ceremony filled with songs, speeches and snubs to Netflix.
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