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Showing all news in Features
Veteran production accountant Jane Corden reflects on the ATO, BAS, a bad classification problem and the early moves to restart.
From quandaries of faith to phantom thieves, let's take a squiz at what's playing on the screens of the denizens of the ArtsHub and Screenhub offices.
A VFX animation teacher, primary school teacher and two academics talk about their experience and give tips for survival.
Veteran creative business consultant Monica Davidson talks about the practical management of ideas in a plague year.
Video bloggers from China, Japan, Hong Kong, the two Koreas and Taiwan have invented a genre which provides great content during the Coronavirus.
As the coronavirus outbreak forces the closure of museums, art galleries, libraries and theatres around the word, the concept of 'on demand culture' is gaining momentum.
Right now, robust companies are vital. Starting with Lingo Pictures, we are holding a series of discussions with the creators of great screen companies.
As the videoconferencing tool gains popularity during COVID-19, we look over the privacy issues you should know about.
Keeping community connected is the goal for the Melbourne Cinémathèque, but there's no pretense it's ideal.
How are arthouse and indy filmmakers going to function with no real-world festivals? They could be better off with online events, according to a discussion in New York.
Let's take a look at some classic Aussie TV that might have flown under your radar, from Seachange to Black Comedy.
Along with the Co-vidious turmoil, educational resources are moving online to provide insights, inspirations and clever basics. Here is a list:
This week, we take a look at how the office is bearing up under lockdown, and the screen treats they're indulging in.
If you're more into Settlers of Catan than Call of Duty, this is a list of silly online boardgames and party games to play remotely with friends.
From SBS On Demand to Netflix, streaming services are really delivering the content to get us through a quarantine.
Yen Yang thinks the secret to artistic survival during self isolation might be in the darkest corners of the web.
What happens when production courses go online in a frenzy of digital change? We give you Griffith University and Victorian College of the Arts.
Marshmallow Laser Feast came to AIDC 2020 to take us to the forefront of immersive work which is clear, wonderful and inspiring. Put on your headphones and take the journey.
Independent Cinemas Australia has helped its members through huge challenges like digitising and collective buying. But the Coronavirus is much worse.
The screen sector is freezing projects and protecting them, to be rebuilt quickly sometime in the post-COVID future. Producer Gus Howard describes how.
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