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At MIPTV, quality matters, attendance down, changes coming, observes ACTF International Sales Manager, Roberta Di Vito.

The #MeToo movement has revealed the widespread extent of sexual harassment, and brought down comedy legends like Louis CK. What impact will it have on the comedy industry as a whole?

ArtsHub sat down this week with NSW Minister for the Arts Don Harwin in a checklist conversation that tackled funding, priorities and vision.

The 2016-17 drama report is all about consistency, but the detail reveals some subtly significant changes.

Let's talk about personal writing from a screen perspective. it's all about revelation, hunger and professional discipline.

Moya Wood, a force of nature in the conception, development and writing of important Australian film and television shows, has died after a long, pioneering life.

The balance between directing, a love of working together and three rowdy kids can be tricky - but this is one way to do it. Meet Jono Hill and the Wide Open Road.

'Some of the most damaging ideologies that exist are the ones that uphold the complete eradication of our history, of our culture...

In 1956, ASIO spy footage captured close ups of beloved Australian actors in the first-ever demonstration for Australian TV content. Can you tell us who they were?

Gillian Armstrong gave a rousing and insightful speech on Monday at the Sydney launch of the Make it Australian campaign. Here it is.

Parliamentary fun as the government enacts historic changes to deregulate media ownership.

The key to success is simple - the right budget to match possible returns. Antony I. Ginnane wonders where that gets you.

Backs against the wall as the fight to defend the Austrailan content regulations gets very ugly.

The current media usage stats reveals one really interesting evolution - people over seventy are changing their viewing habits and quickly.

The annual Deloitte review of media consumption is an equal opportunity scarer. This time, the audience is taking revenge.

We are betting the commercial FTA networks are learning that their assault on kids' TV is a bad mistake. Here is just one example.

The commercial FTA channels are now in the open as the stranglers of the Magic Pudding of kids' TV. Will they listen to the alternatives? Not so far...

We are not content producers, we are creative entrepreneurs, and The Dressmaker proves the point says Sue Maslin.

Determined to transform the tough combo of business and arts, David Court and co open their own business school.

The Hive program which combines practicing artists and filmmakers and funds the result has returned from the bureaucratic grave. There is life in dark times.