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Showing all Professional Development education news in Career Advice
An inevitable part of being an artist is opening the door to other people’s opinions and criticism.
The right job can support and strengthen your artistic practice.
Connectedness, self-care, a playful outlook and finding meaning in difficult experiences can help you bounce back from setbacks.
Don't be discouraged by the naysayers. Many of the reasons you will hear not to work in the arts don't mesh with reality.
Being a conservator in a museum or gallery offers big rewards for the big commitment.
We asked artists and arts workers to share their tips for dealing with the economic realities of working in the arts.
Your CV is the first impression you can make to a prospective employer, so it pays to get it right.
Missing out on a grant can be frustrating and demoralising but asking the right questions can turn it into an opportunity.
Arts workplaces are supposed to be creative but many are falling into management speak as if they were banks.
Too often creatives and their agents functions as adversaries rather than as part of a powerful symbiotic relationship.
Identifying the time to move on is a key skill in any career and managing that transition is essential for those left behind.
What is the difference between a workshop and a masterclass – and why should you participate in one?
If you are required to do an annual performance review for your boss, chances are it won't be the whole story.
Empathy, objectivity and a great memory for faces are among the skills you’ll require if you want to work in casting.
Whether you sell your artworks on Etsy, are a freelance circus performer, or a sculptor working solely on commission, according to ATO you are running a business.
Sudden success might sound like a dream but it can cause arts organisations many sleepless nights.
You know exposure doesn't pay the bills but how do you navigate those awkward exchanges where no one mentions money?
Writers share self care tips and advice on dealing with the precarious incomes, isolation, burnout and self-doubt.
Research into the barter economy aims to help artists pay with art for the things they really need.
The opportunities for creative professionals to be valued for the way they think are ripe for the taking if they can articulate their value proposition
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