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Showing all Television news in Features
Netflix’s local content level has fallen from 2-2.5% to 1.6% (82 Australian titles out of 4,959) since 2017.
Australian children’s television consistently punches above its weight on the international stage, but remains in a policy limbo.
In 2011, Anne Richey interviewed Hugh Stuckey, who provided a gallop through his life story starting as a four year old tap dancer. Seven years later it is a fitting obituary.
Steeped in culture, Screenhub's new journalist reckons that Phryne Fisher is the closest thing we have to a superhero. How does she claim her right to the red carpet and the silver screen?
Network Ten's swift decision to dump the rebooted Roseanne shows rare leadership, demonstrating that, for some, there is a clear line even money can’t cross.
The internationally renowned fantasy novelist reveals the magic behind his writing, and why it’s good to talk to your characters.
Screen producer Sue Maslin and journalist Tracey Spicer discuss the #metoo and #timesup campaigns, and where next for the fight against sexual harassment in Australia.
A series of personal and transformative documentaries told by LGBTIQ filmmakers will screen on ABC iview this Sunday to coincide with the 40th anniversary of the Sydney Gay and Lesbian Mardi Gras.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2017.
Until now, executive men have largely closed ranks and protected the perpetrators of abuse, harassment and assault against women colleagues.
David Lyle seemed to live outside time and space, forever young, rocketing around the world, unconfined by convention but innately decent.
Creator Vince Gilligan's story of developing and writing Breaking Bad is a master class in story, character development, and the essence of drama. Oh, and the best writing room in television.
Eliminating the delay in access to episodes has made the HBO series part of shared media culture that transcends national boundaries.
ABC Production Manager Jenny Barty died suddenly, so close to retirement, leaving us to realise just how much she is loved.
How do the Best and Outstanding categories line up at the Logies? Which production companies triumphed? Why the unicycle?
It’s your last chance for this weekend’s INTRO TO VR in Sydney, WRITING FOR TV (10 weeks, online) starting next week, and INTERNATIONAL MARKET STRATEGY in Melbourne next Thursday, presented by Screen Producers Australia (SPA) in conjunction with AFTRS.
While the government and private networks spread further and further across the popular/industry voting divide, the audiences still like very different programs.
With the Australian International Documentary Conference this week, we can only provide the ratings in a single clump.
Bookmakers beat critics when it comes to making Oscars predictions. It's nine years since they have been wrong.
Want to know why money is so tight in commercial television production except at the top? Here's Seven's half yearly results.
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