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While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that feel to Nerida Moore, Screen Australia’s Head of Development?
Media Mentor Esther Coleman-Hawkins answers your career questions with brisk no-nonsense advice for screen professionals.
No less than four of the top ten in the industry-led popular top ten list rely heavily on a female audience.
If you could distill the absolute essence of cinema and watch it in the ultimate binge at home, you would end up with We are One: a Global Film Festival.
The official guidelines for an anti-viral screen workplace are now out. No surprises but a vital level of certainty.
Set in 1950s Australia around the Maralinga A-bomb tests, this satirical thriller from Peter Duncan is entertaining but takes a while to find its feet.
Aaron Burton looks at the TV projects created in response to COVID-19 locally, and around the world.
Starting on Friday 29 May, the New Zealanders are bathing in sessions about documentary craft and passion. Australians can join in, several hours later each day until June 1.
The program is now out for the online edition of SFF, provoking us to look under the hood with CEO Leigh Small.
Amazon Prime builds up its Aussie content, The Bold Type makes a fourth impression while Disney Plus looks inside one of its biggest animations and first streams a box-office killing kids film.
Ponder Warwick Thornton's six-part slow TV series on the biggest screen you can find, says Chris Boyd.
Choose from a rich selection of Indigenous film, TV and live events to mark this National Reconciliation Week #InThisTogether2020.
To mark National Reconciliation Week #InThisTogether2020 we dive into our archive to share some of the meaningful conversations along the reconciliation journey.
The battle for worldwide streaming supremacy looks like a fast-motion version of Westeros. Foxtel's latest deal gives it Binge, a new streamer which even has The Game of Thrones.
Like other Guild groups, the Australian Directors Guild has surveyed its members to find realistic figures about unemployment to pitch against the government's fantasies. Here they are.
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it defies genres.
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the inside.
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made of idealism, common sense, good people choices and the pleasure of running a company.
SBS keeps doing inventive and lean under the policy radar but the pandemic will force it to confront an ugly finance problem in public.
Let's unpack IGEA's stats on the local impact of COVID-19, and what the future looks like for the Australian games ecosystem
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