Screen Forever: how producers can storm Hollywood, gently Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Doing business in China in really tough times Astonishingly fast changes in the Chinese/foreign market plus a Trumpian trade fight adds up to a new landscape. China law blog has it all (in a general sense). Dealing with the stress of a demanding profession 'Though the producer is in charge of moving the movie forward, protecting the money and the crew, and delivering the final picture in the end, the role of the producer is often undervalued.' A happy marriage AIDC 2019 - program out, change and excitement all around (locked) 'We are just settled after a time of digital disruption. It is not the end of the world. Where to now?’ CEO/Creative Director Alice Burgin lays out the challenge of AIDC 2019. (Premium content) Premium content Gus Howard Tuesday 4 December, 2018 Agents, showrunners, Australian diffidence, hammering on the Hollywood gates - here's how producers get a Californian tan. This content is only available to members of screenhub Join Now for instant access! A subscription to screenhub will enable you to: Access the most comprehensive jobs board for the screen sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian screen community today Hollywood isn't like that any more. Image: Barton Fink Member login Email address Password Forgot password? About the author Gus Howard is a veteran producer, mostly in television, whose first public credit was for an educational short in 1981 called Don't Just Stand There Coughing. He was the producer on Blue Heelers from 1996-2006, made the six ep miniseries Rain Shadow, taught the MA program at VCA in producing, and is actively developing and financing new productions.