Japanese film: the triumph of the subculture

Behind the Japanese film industry, on parade at the Japanese Film Festival 2015, is budget acumen, pop culture savvy and outwitted Americans.
[This is archived content and may not display in the originally intended format.]

Image: Love and Peace from Sion Sono.

Masafumi Konomi, until recently the head of the Arts & Culture Department at the Japan Foundation in Australia, describes the remit of his organisation very simply, in a call from Tokyo: ‘Our purpose is to introduce Japanese culture to overseas people and we have about twenty two offices in different countries.’ A film festival is a logical weapon of soft power, and the Japanese Film Festival helped to pioneer the national festival movement which has swept the arthouse cinemas.

Unlock Padlock Icon

Unlock this content?

Access this content and more

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.