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‘Maternal cli-fi’: the new genre changing up the absent-mother narrative in cinema
How The End We Start From boosted maternal cli-fi, a genre spotlighting mothers in worlds destroyed by natural disasters.
What we're watching this week, in cinemas and streaming
From Hundreds of Beavers to The Acolyte and Colin From Accounts S2, here's what Silvi Vann-Wall and Rochelle Siemienowicz are…
Don’t feel bad about bingeing TV – humans have binged stories for thousands of years
Bingeing stories is an age-old human behaviour and nothing to feel guilty about, says a historian.
What to watch this week: the stuff we dig right now in cinemas and streaming
From Challengers and Furiosa, to Eno and After the Party, here's what ScreenHub writers are watching and loving – or…
Bridgerton Season 3 – all the usual froth, but with a more mature edge
Bridgerton's third season has arrived on Netflix – and this time it's got an edge.
Energy, climate and corporate ties in Australian documentary
The links between promotion and philanthropy in the documentary sector have a long history. What have we learnt?
No bad accents in Apple's Acapulco: why multilingual TV is good for everyone
Acapulco on Apple TV+ being just one example, over-the-top accents are out and authenticity is in.
What to watch this week on streaming: the shows we love (or not) right now
Streaming options got you spoiled for choice? ScreenHub staff Silvi Vann-Wall and Rochelle Siemienowicz share their viewing – the good,…
Real comedy, real trauma: how Baby Reindeer and Feel Good are forging a new TVÂ genre
A new generation of comedians are adapting their traumatic experiences for dark comedy.
Challengers: a competition psychology expert weighs in
Challengers fuses sex and sport in a straightforward but effective way, says a psychology expert.
