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MPA APSA Academy Film Fund 2013: fallout for a canoe, monkey masks and a Karbala Orchestra
One of the niftiest features of the Asia Pacific Film Awards is its development fund, which provides four tranches of…
Screen Forever 2013: Beau Willimon, showrunner on House of Cards
What more can we ask for a final session? Mark Poole was inspired and fascinated. After all, producers aim for…
Viskatoons: screwed into a jar, floating across the world [repost]
Peter Viska's Viskatoons is a long term player in chlidren's animation, now marching across the Ten schedule with a little…
AACTA: Reflections on the 3rd AACTA nominations from a former insider, part one
Rochelle Siemienowicz is a screen tragic, a survivor of work at the AFI, and a generous but sharp observer of…
AACTA: Reflections on the 3rd AACTA nominations from a former insider, part two
Rochelle Siemienowicz reflects on the industry's passion for criticising its awards system, the tricky problem of honour television, and asserts…
Television Funding: NZ puts Australian system into turmoil
The NZ government has announced that its television industry will receive a 40% rebate, while the Australian industry is stuck…
Asian Television Market 2013: Singapore and the changing face of distribution
The nature of distribution is truly an international issue, as Dr O'D discovered at the Asian Television Market - where…
Jenny Woods and Film Finances: bonding over twenty years
'Completion Bond': [n] - a legal contract which ensures that any heart attacks before the completion of a film will…
Judy Adamson: history, memory and remembrance
Every death in the screen sector hurts terribly, but some funerals mark the loss of our deep history. I've kept…
Playpen: state of the art Antarctic TV
An unintentionally hilarious Youtube video is a lot more than a bit of Christmas fun. It points to the fusion…
