While the production sector has been adapting to rigid scientific rules and working out how to deal with insurance, the exhibition and broadcast sector issues are really fluid. We’ve been following the festival movement because COVID-19 has brought it into the 21st century.
In a year’s time, it could be much more useful to screen creators as it becomes an international spider web of relationships and discoveries. Look behind the art to the resources, and we may be seeing the evolution of a whole new market.