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How well did Australian films do overseas in 2018?

A good year for Australian films overseas, pushed by Peter Rabbit, but with Mary Magdalene and Upgrade to put more…

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Flickerfest winners - the multicultural wave is coming

The list of Australian winners at Flickerfest brings new names to the festival circuit. We will hear more about these.

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Box Office 21 January 2019 - Storm Boy reprises first version

Storm Boy is a tad fragile but came out well enough to provide hope and will probably have a long…

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Adelaide Film Fest gets new executive leader

The small group of artistic directors of major Australian film festivals is once again complete.

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Screenrights finds CEO in the office already

James Dickinson, the new CEO of Screenrights, sketches a vision of evolutionary improvement.

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While vandals rule, imagine the Ideal Film School

As beancounters raid Australian production courses, international educator and film critic Adrian Martin finds the perfect film school. In Spain.…

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Small Screen Highlights: TV and Streaming

On our radar this week are Australian series The Family Law and Bloom, and Netflix Originals Shirkers and Private Life.…

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The Whiteley phenomenon – why a painter has impacted theatre, opera and film

Brett Whiteley is no longer exclusive to the visual arts, but has become part of Australian mythology. ArtsHub speaks with…

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Lost and Found gathering strength for its pint-sized Oscar run

We are hopeless fans of the animated short Lost and Found. Now it is on the hunt for an Oscar…

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Predictions - much bigger markets, content is bait, professions melt together

How do we see ourselves in the current whirl of change? In some vast anthill, owning nothing, imitated by machines…

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