Wrestling the growing beast - AIDC panel on the problem of scale

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If you want a series commission, you need to offer something remarkable. Three producers talk through challenging shows and alarming risks.

For most of the history of factual, the subject was either too big, too small, too slow, too fast, too dark, too remote, too complicated or already finished. Shooting and cutting a scene was about making a single camera shoot look like multicam. Interviewers learnt to stop people from twitching and directors despaired over tense subjects walking like penguins. 

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