Ask the Mentor: what if my idea’s been stolen?

Is it copyright infringement or just a case of ideas floating in the zeitgeist? Media Mentor Esther Coleman-Hawkins offers brisk no-nonsense advice for creatives.

The Question 

G writes: ‘I’ve been developing an idea for a feature film for years and I’ve talked to some people about my idea. This year I was watching a film at a festival and saw my exact plot in a short by someone else. I don’t know the director or writer but the idea is so similar that I think they might have stolen it. What can I do about it?’

The Answer

Stealing work, through plagiarism or copyright theft, is a serious crime. And accusing someone of it is a serious accusation.

All creatives should have the basics of copyright law under their belts. Luckily there’s a handy website, Australian Copyright Council to help you. Copyright protection is free and applies automatically when material is created.

If the film you watched has a significant resemblance to your work then absolutely go see a lawyer with your scripts, drafts, detailed notes etc.

However… I’m not sure from your email whether you’ve actually put pen to paper or whether you’ve just been nurturing an idea for years?

I’m currently reading Big Magic by Elizabeth Gilbert. It is 7 shades of Woo-Woo, but here’s a woman who turned a midlife crisis into a bestselling memoir Eat, Pray, Love as well as a huge following as a creative mentor and speaker. She knows a thing or two about creativity.

In Big Magic she talks about ideas as ‘beings’ without physical form that wander the earth (bear with me, I warned you of the Woo-Woo). They come to you and if you’re not able to turn them into a solid thing quickly, then they move on to another person.

I spoke to Dan Brown, Creative Director of Joined Up Films in Perth.

‘It’s not surprising the same ideas occur simultaneously, it would be surprising if they weren’t.’

 – Dan Brown

‘You have to assume that everybody is thinking along the same lines at the same time. As creatives we are all looking for a limited number of opportunities that are framed by the same things: the channel, the commissioning team and the zeitgeist.

‘It’s not surprising the same ideas occur simultaneously, it would be surprising if they weren’t. We were in paid development for a project for one channel, it stalled because another channel announced that they were doing almost exactly the same idea. Rather than be frustrated I see it as a very clear sign that we are on the right path. You have to be quick, decisive and stand out from the crowd.’

If your film was just an idea then let it go before you become that creative who whines in the corner about all the films you didn’t make.  

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Consider why you didn’t do something with it. Gilbert talks about the fear that stops many of us from doing anything with our ideas. Fear of failure, of success, of being laughed at, fear of bloody everything! Does this apply to you?

Having ideas isn’t the difficult part; making them into something real is. Whether they’re successful is, to a large extent, out of your control. Gilbert wasn’t the first woman to turn a holiday fling into a book, but 2006 was the year the world was ready to embrace it.

Get working on your next idea before it finds someone who will.

Got a question for the mentor? Send it to us at editor@screenhub.com.au with the subject line ‘Media Mentor Question’ and we’ll pass it onto Esther.

Media Mentors are currently partnering with ACMI to produce the free Running Free online skills workshops for screen industry professionals and enthusiasts. See the full sessions here on ACMI’s YouTube channel.

Esther Coleman-Hawkins
About the Author
Co-founder of Media Mentors, Esther Coleman-Hawkins is an experienced TV producer, conference organiser and career mentor. Media Mentors provides one-on-one mentoring and runs workshops and networking events for people in the creative industry. Sessions with her, or her co-founder Denise Eriksen, can be booked through their website www.mediamentors.com.au