Babygirl review: the stakes are high but the orgasms seem worth it

Babygirl, starring Nicole Kidman, may open some frank conversations about female sexual desire.
Babygirl saw a modest taking at the box office this year. Image: A24.

It’s unfortunate that Nicole Kidman has become almost as famous for her strangely ageless face as for her considerable courage and acting talent when given a good role. It’s a relief then, to see her in the erotic thriller Babygirl, looking all of her 57 years, yet playing a character who undergoes injections and infrared saunas as part of her routine to maintain the undeniably beautiful façade.

Kidman plays Romy, the high-powered CEO of a New York robotics company. Her use of age-defying technologies is not so much about vanity as it is about maintaining power, control and relevance in a competitive and sexist corporate environment. (A bit like the movie business, really …)

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Rochelle Siemienowicz is a Melbourne writer and editor. Her first book Fallen, a memoir was published in 2014 and her second, Double Happiness, a novel, in 2024. She has a PhD in Australian cinema and was previously a journalist at ScreenHub and ArtsHub. ou can find her on Instagram: @Rochelle_Rochelle or at Substack where she writes a fortnightly newsletter, The Fool and the Queen.