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How to Hold Space for your Actors
Originally trained as an actor, film director Kim Farrant shares deep wisdom about getting the best from performers.
Bohemian Rhapsody DoP on his choice of lenses
It is almost impossible, unless you got all VR, to avoid the use of a lens. Their effects are things…
Small Screen Highlights: Glitch, Gogglebox and Glassblowing
Paranormal ABC thrills, voyeuristic couch-critics, hot craft competition and a very useful podcast from Screen Australia.
Elephant stomps on traditional development practice
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…
Box Office: cautious release for Nightingale while Palm Beach and Danger Close wind down
Australian films hold their line but there are no charges to glory. Not even from the war film lovers.
CinefestOz bets on happiness
The CinefestOz finalists for 2019 were a pretty good batch, with a family film about joy and optimism comes through…
Recutting films - a tangled story
Recuts are not just about director's versions. They have become a routine way of evolving the essence of a project.
Black List scheme throws Oz writers into global deep end
The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.
Big screen highlights: Australian Dream, Nightingale and Palm Beach
Other than Once Upon a Time In Hollywood, the filmscape is full of yes-but films which disappoint, or terrify, or…
Crack Hollywood before you leave home - here's one approach
Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one…
