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Oscars - who do we think will win?
In a really wide open field, we risk Screenhub's reputation with some firm predictions. Will we be humiliated by Monday…
Berlinale 2019: Australian filmmakers go global to stay global
Soaked in the authentic gravity of German audiences on Potsdamerplatz, Sarah Ward assesses the Australian impact in 2019.
Producing for the Screen - initiating the emerging producer
Most producing handbooks are cures for insomnia. This one is lively, local and clear as it shares key information between…
Lambs of God honoured to open at Series Mania
Lambs of God, the new four-part drama from Australia’s Lingo Pictures, has been invited to screen in Official Competition at…
APSA sets 21 November 2019 as the night of Asia-Pacific nights
With a confirmed date to anchor November's schedule in Brisbane, APSA stops to celebrate the number of Oscar nominees who…
Review: Soderbergh's High Flying Bird has skin in the game
This Netflix feature shot on iPhone and set in the world of American basketball may baffle or intrigue.
Small Screen Highlights: The Heights, Bad Mothers, Aftermath and Reviews Wrap
The ABC launches new 30-part drama set in Perth high rise towers, and Nine unveils bad mummy murder mystery series.
Guild News - announcements for 22 February 2019
The ADG Awards, Production Designers Guild and Oscars, Screenworks widens composers scheme, AWG wants your AWGIE submissions.
The Five Provocations: Interview with Angie Black
Drawing inspiration from Miranda July and Mike Leigh, experimental filmmaker Angie Black discusses her improvisational processes and the importance of…
Skill-up with AFTRS: TV Shooter Producer, Budgeting & More
AFTRS Industry Certificates Learn practical industry skills to succeed in the competitive screen industry landscape. All AFTRS Industry Certificates have…
