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The Hangover: Part III
The feature proves a hangover in every sense of the word.
ACMI: picks up Museum Awards for design and exhibition
The Australian Centre for the Moving Image picked up a nice couple of Awards at the Museums Australia Conference held…
Cannes 2013: The Marlow Report - on sales, sales agents and the sad truths of funding
With just the right mix of pomp, perfidy, Prada and presales, Julie Marlow hunts the money stories through the madness…
Cannes Deals: Rocket to US, Australia gets Suite Francais
The business of the Cannes Film Festival is well under way, with Kim Mordaunt’s low budget feature The Rocket to…
Flying Bark: Studio 100 launches film distribution for Maya
Children’s production and distribution company Studio 100 Media has launched a film arm to distribute its Australian co-production of Maya…
Hoyts Distribution: learns to say Oui, Ja and Thanks awfully to new owner
STUDIOCANAL is now the proud owner of Hoyts Distribution, down to the labels on the few remaining film cans.
LEARN TELEVISION STUDIO & PRODUCTION SKILLS @ AFTRS OPEN
Learn the skills to be a valuable production team member in PRODUCING LIVE TV, develop core skills to tell great…
SPAA: beaverooing with Canadian association, mutual benefit guaranteed
The Screen Producers' Association of Australia has signed a Memorandum of Understanding to co-operate with Canadian Media Production Association, its…
Cannes 2013: What Kind of Producer Are You?
For the third year, the Cannes Film Market held its Producers Workshop, aimed at new and new-ish producers attending the…
Cannes 2013: Decoding B2B marketing
Even emerging producers fresh from the real world have to understand they are a brand, according to the Cannes Film…
