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TV: More style than '#Content'?
'Content' is ABC's latest comedy project, all told via mobile interface. Is this innovative or just gimmicky?
Review: The Beehive, at UNSW Galleries
The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that…
Review: Particle/Wave, Melbourne International Arts Festival
Particle/Wave, set at the Planetarium in Scienceworks, is a love letter, a poem to what has been discovered in our…
Cinemania: Lisa Reihana
A powerful re-mapping of the history of colonial and First Peoples interaction eclipses Reihana's career.
Learn & Play! teamLab Future Park
Powerhouse Museum’s summer exhibition delights at any age with its immersive digital playground too fun to leave to just the…
Tomorrow's Parties
Despite an interesting premise and solid performances, Tomorrow's Parties dystopic visions limit the emotional pull.
She Only Barks at Night
An eerie and unsettling evening, featuring a live horse, a dead cat, and a French doctor.
Gaming in Color
A pertinent and telling documentary, tracing the subculture existing at the intersection of gaming and queer culture.
The Darkside
Director and cinematographer Warwick Thornton is open in his embrace of the darkside.
Maa (The Mother)
Maa (The Mother) is a courageous attempt to deal with female subjugation and poverty in Indian society.
