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Discovering Ian Hubert, Blender, and low-budget VFX mastery
Meet Ian Hubert, Blender VFX artist, builder of worlds, astounder of accountants. Our dreams can be bigger than we imagine.
You should play... Bugsnax, by Young Horses
Monster Hunter x Frog Detective x body horror? It's Bugsnax! Don't think about it too hard!
Teaching in isolation is intense: Four perspectives
A VFX animation teacher, primary school teacher and two academics talk about their experience and give tips for survival.
What can games tell us about girlhood?
From Life is Strange to The Walking Dead to Lost Wage Rampage, videogames can depict girlhood in groundbreaking, complex ways.
Palestine and guerrilla memorials in the digital age
Lujayn Hourani considers the effectiveness of the game-like temporal memorial, Re: Visit Palestine, in tandem with their own personal memories.
Phantom Abyss is online multiplayer without the scheduling nightmare
Team WIBY's Ben Marrinan explains how they developed Phantom Abyss for a generation who treats games as a digital living…
6 questions with ACMI prize-winning game developer Dan Ferguson
We talk to Melbourne game developer Daniel Ferguson about his cartoonish, kinetic games, winning the ACMI + RMIT prize, and…
What does it take to be the Art Director on a huge MMORPG?
From artist to director, CJ Grebb tells us about his 20+ years in the world of game art.
Behind the pioneering animation of gaming's most beloved cinematic universe
The world of Overwatch is more than a game, it's a freely accessible Pixar-style animated universe. We chat to two…
What are games for, if not community, collaboration and creativity?
Amidst an ongoing pandemic and the enlightening talks of the 2021 Freeplay Independent Games Festival, Stephen Pham reflects on what…
