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Offset and Documentary: skirmishes in AAT continue
If Screen Australia refuses to issue an tax offset certificate to filmmakers, they can take the case to the Administrative…
Brief: The Games George Miller plays
What is happening about the Mad Max: Fury Road game?
New Media Funding: world's most experienced veteran speaks
Andra Sheffer, who runs the three funds for Bell in Canada, has arguably more experience in external support for the…
Alexandre Brachet: auteurs, insoucience and internet sterf
Alexandre Brachet, French internet expert, stands in his room at the Marriott Hotel in Sydney, and tries to explain himself…
Playpen: Wikileaks, Wikileaks, where do you hide?
Australia's greatest contribution to retributory chaos, Julian Assange, draws on the Dr No techology of the Cold War to defend…
Power: on thin ice
UK independent production and distribution company Power Corp heads for administration at the behest of its bankers, Lloyds. Last year…
Mark Lazarus: pushing on to the promised land
Mark Lazarus is propelling The Loved Ones relentlessly forward, treating time and changing fortunes as mere pebbles on the road…
Melbourne International Animation Festival: nine days of dedication
MIAFF, celebrating its tenth birthday, starts this weekend. The trailer is a lovely example of painting on film. It is…
NITV: shutters coming down as Feds fail to act
National Indigenous TV has lopped off its first limb due to a stated lack of certainty in its future. At…
APSA: four years out
Des Power, Chairman of the Asia Pacific Screen Awards, reflects on its history, and its progress against his own private…
