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Film review: Richard Mosse: Broken Spectre
A moving image work highlighting the silent destruction of the Amazon rainforest that deserves everyone’s attention.
ACMI’s latest exhibition unpacks light as both phenomena and subject
ACMI's new light exhibition pushes you around – mentally – like a rag doll, wowed by a roll call of…
Review: 'Outlines' is a lockdown gift from Sydney Opera House
Four substantial new digital works from Australia, the UK and Korea are freely available to stream. Chris Boyd applauds the…
Exhibition Review: Disney: The Magic of Animation, ACMI
The House of Mouse takes over ACMI so we sent cartoonist Andrew Weldon along to see how it captures the…
Tomorrow's Parties
Despite an interesting premise and solid performances, Tomorrow's Parties dystopic visions limit the emotional pull.
She Only Barks at Night
An eerie and unsettling evening, featuring a live horse, a dead cat, and a French doctor.
The Darkside
Director and cinematographer Warwick Thornton is open in his embrace of the darkside.
Maa (The Mother)
Maa (The Mother) is a courageous attempt to deal with female subjugation and poverty in Indian society.
Computer Chess
At first glance, Andrew Bujalski’s Computer Chess seems simple, charting the unglamorous battle of man and machine.
