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Screenwest completes management team with new Chair
Screenwest is now headed by a fierce combination of veteran management, PR talent and quokka protection as John Driscoll is…
ArtsHub and Screenhub appoint George Dunford as new Content Director
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up…
UK-Australian See-Saw buoyant over Ammonite deals
See-Saw Films secures major deals for Ammonite before UK production begins in March.
Box Office: Storm Boy hits week three while minor commercial films prosper
There are some lively films in the pipeline but Storm Boy has not set us up for a bumper year,…
Sundance: first steps in a great Australian year
Not just a great taster for audiences, Sundance 2019 puts confident, unique and individual visions on the world stage.
Sundance wallets open for small indy pictures to sighs of relief
Let's read the Sundance sales list to work out what flies in the evolving cinema market, and who is driving…
What's on the big screen: Oscars runners and good indies
Some familiar titles - even Storm Boy - but The Mule, Glass and Green Book are fresh. Instant Family is…
How the broadcasters are killing the one-off documentary
As part of his Currency House Platform Paper, Sydney documentarian Tom Zubrycki reveals some hard truths about the role of…
Box Office 27 Jan 2019 as Storm Boy floats on choppy waters
A lot of diversity on our screens as the Oscar favourites have been around for a while and smaller films…
The Invisible Man: an insider's guide to being a film and TV extra
If you get noticed you haven't done your job, says our veteran extra, who gives us his Top Tips from…
