The 68th Sydney Film Festival Closing Night Gala Awards were presented on Sunday night, 14 November at the State Theatre, just before the Australian premiere screening of Wes Anderson’s highly anticipated comedy-drama The French Dispatch.
This was the closing night of Australian’s first major film festival to return to in-person screenings, and it was a celebration of survival on many levels. After all, the event had been postponed twice and opened just two weeks after COVID restrictions lifted in Sydney. Audiences had returned, albeit in cautious numbers. As Sydney Film Festival CEO Leigh Small said, ‘with COVID capacity restrictions and a smaller program, we were thrilled to see cinemas over 55% full and 52 sessions sold out.’
Festival Director, Nashen Moodley, said: ‘It was incredibly rewarding to witness elated audiences entering theatres, engaging in inspired post-screening discussions and completely immersed in powerful stories from acclaimed and emerging filmmakers from across the globe. This infectious enthusiasm extended to filmmakers and actors, including director Granaz Moussavi who got the chance to see her Oscar submitted film When Pomegranates Howl on the big screen for the first time and the many international filmmakers who provided captivating virtual pre-screening introductions.’
The Sydney Film Prize
The prestigious Sydney Film Prize, which comes with $60,000 cash, and is given to an ‘audacious, cutting-edge and courageous’ film, was this year awarded to Iranian film There Is No Evil, by Mohammad Rasoulof.
Banned from making films in Iran, Rasoulof won the 2020 Berlinale Golden Bear for There Is No Evil, ‘a powerful take on the death penalty and its impact on Iranian society’.
The work was selected from 12 Official Competition films by a jury headed by David Michôd and also included Australian actor Simon Baker, NITV Head of Commissioning & Programming Kyas Hepworth, director and producer Maya Newell and Australian filmmaker Clara Law (whose film Drifting Petals was part of SFF 2021).
The jury also awarded a Special Mention to Limbo directed by Ben Sharrock.
Accepting the award virtually from Tehran, Mohammad Rasoulof said, ‘I want to thank the jury. I am really happy there is something more than a simple appreciation in this prize. Being heard and understood is what keeps hope alive. Thank you Sydney Film Festival.’
Previous winners of the Sydney Film Prize, which was first awarded in 2008 are: Parasite (2019), The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015); Two Days, One Night (2014); Only God Forgives (2013); Alps (2012); A Separation (2011); Heartbeats (2010); Bronson (2009); and Hunger (2008).
Documentary Australia Foundation Award for Australian Documentary
Filmmaker Matthew Walker was awarded the Documentary Australia Foundation Award for Australian Documentary’s $10,000 cash prize for I’m Wanita, a no-holds-barred introduction to Tamworth’s renegade ‘Queen of Honky Tonk’ which follows her journey to Nashville to record an album.
This follows the film’s International Premiere in May at Canada’s Hot Docs Festival where Screen Daily listed it as ‘one of the 15 docs to look out for this year’, its award for Best Music Doc at London’s Raindance Festival in October, and a nomination for Best Australian Documentary at this year’s AACTA Awards ahead of a 6 January cinema release in Australia.
The doc jury, comprising Michael Cordell, Cornel Ozies and Catherine Scott, said in a joint statement: ‘As a compelling portrayal of a complex character I’m Wanita illustrates observational documentary at its finest. Made with great empathy, respect and intimacy it takes the audience inside Wanita’s world and her last-ditch effort to follow her dream to become the Queen of Honky Tonk on the world stage. At times she teeters on the edge and must overcome challenges, many of her own making, but this big-hearted film doesn’t shy away from difficult issues. The triumphant ending challenges expectations and stereotypes that an audience might bring to this story.’
The jury also highly recommended Television Event from Jeff Daniels.
2021 marks the twelfth year of the competition and the eighth year the prize has been supported by the Foundation. The winning documentary is Academy Award-eligible.
Previous winners are: Descent (2020), She Who Must Be Loved (2019), Ghosthunter (2018), The Pink House (2017), In the Shadow of the Hill (2016); Only the Dead (2015); 35 Letters (2014); Buckskin (2013); Killing Anna (2012); Life in Movement (2011); and The Snowman (2010). In 2009 the inaugural prize was shared between Contact and A Good Man, and each film received a $10,000 cash prize.
Dendy Awards for Australian Short Films
The $7,000 cash prize for the Dendy Live Action Short Award was presented to Peeps directed by Sophie Somerville.
The $7,000 Rouben Mamoulian Award for Best Director was presented to Taylor Ferguson for tough.
The $5,000 Yoram Gross Animation Award went to Olivia Martin-McGuire’s Freedom Swimmer.
The Jury for short films comprised producer Emile Sherman, producer-director Sheila Jayadev and 2020 Dendy Award winner Alex Wu. In a joint statement they said they were unanimous in choosing ‘three highly original and beautifully realised films’:
‘Peeps, our winner of the Dendy Live Action Award, is a soaring, operatic and highly original opus about a group of teenage girls flittering around a suburban mall.’
‘Freedom Swimmer, our Yoram Gross Animation Award winner, is a meticulous, powerful and poetic ode to the yearning for political freedom and the necessity of story to preserve the legacy of the past.’
‘And tough, winner of the Rouben Mamoulian Award for Best Director, draws us in with subtlety, surprise and heart to the life of a young rural tween.’
This was the 52nd year of the Festival’s short-film competition, which has been sponsored by Dendy Cinemas since 1989. Winners of the Dendy Live Action Short Film award and the Yoram Gross Animation award are Academy Award-eligible.
The $10,000 Sydney-UNESCO City of Film Award, bestowed by Create NSW to a trail-blazing NSW-based screen practitioner, went to AACTA Award winning producer and director Karina Holden.
Filmmaker Darlene Johnson was awarded the 2021 Deutsche Bank Fellowship for First Nations Film Creatives. The Fellowship provides a $20,000 grant to an Australian First Nations film creative to further develop their skills through international placement or other professional development.
The first ever recipient of the inaugural $10,000 Sustainable Future Award, made possible by a syndicate of passionate climate activists led by Award sponsor, Amanda Maple-Brown, was Australian documentary Burning directed by Eva Orner.
The Sydney Film Festival’s SFF On Demand online program runs 12-21 November.