Netflix offering post-production attachments at a time of need for the industry

Up against a shortage of trained post-production staff, Netflix has created two useful entry points.
The cast of the original Heartbreak High

Post-production is the kind of career space that really rewards smart, organised and social people. It contains satisfying challenges, rewards your knowledge, and offers a long term pathway with a chance to climb a ladder. Netflix wants to help a couple more people get there.

Rachel Knowles is the General Manager of Blue Post, which works in both Sydney and Melbourne, and began as a modest enterprise specialising in the particular needs of long-form television, with its fast turnaround, multiple crews and multicam volumes of footage. 

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.