There may be a decade and a continent between our origins, but triumphant Teenage Sex and Death at Camp Miasma directorJane Schoenbrun and I share a mutual adoration of Gillian Anderson.
I was obsessed. Schoenbrun was too. We all were. We still are.
The release of We’re All Going to the World’s Fair in 2021 signalled a unique voice that spoke to fandom, fantasy and the relative freedom of online spaces in a naiver age – online places that allowed a generation of queer and non-binary kids to explore their emerging identity at a safe remove.
